Get Das deutsche Musikleben: Mit einer Einleitung zum E-Book von PDF

By Paul Bekker,Andreas Eichhorn

ISBN-10: 0267355300

ISBN-13: 9780267355303

ISBN-10: 0364197250

ISBN-13: 9780364197257

Paul Bekker (1882-1937) battle zwischen 1910 und 1925 der einflussreichste deutschsprachige Musikpublizist. Bereits seinerzeit erschlossen sich die sprachliche Brillanz seiner Texte, die Plastizität und Unkonventionalität seiner Thesen einen Leserkreis, der weit über das engere musikalische Fachpublikum hinausging. Innerhalb der Musikkultur der Weimarer Republik stellte Bekker eine zentrale Figur dar. Nach seiner Entlassung als Intendant des Wiesbadener Staatstheaters aufgrund seiner jüdischen Herkunft im Jahre 1933 emigrierte er in die united states. Er starb am 7. März 1937 in New York.
Das Manuskript zu 'Das deutsche Musikleben' entstand im Frühjahr 1916; zu dieser Zeit befand sich Bekker mit seinem Regiment in Jeandelize (Frankreich). Ihm geht es in seiner Schrift darum, in einer als krisenhaft empfundenen kulturellen Umbruchsituation die Musikkultur seiner Zeit einer kritischen Begutachtung zu unterziehen und einen möglichen 'Soll-Zustand' zu entwerfen.
was once Bekkers Buch auch noch heute aus musikästhetischer Perspektive bemerkenswert macht, ist der theoretische Ansatz, den er für seine Darstellung entwickelt. Das Buch kann, wie Carl Dahlhaus es formulierte, als Entwurf einer 'verstehenden Musiksoziologie' angesehen werden. Damit gehört Bekker zu den Begründern der deutschsprachigen Musiksoziologie. Als theoretisches Fundament seiner Überlegungen fungiert das Basiskapitel 'Die Form', in dem Bekker erstmals einen rezeptionsästhetisch basierten Formbegriff entwickelt.
Paul Bekker (1882-1937) used to be the main influential tune journalist writing in German among 1910 and 1925. The linguistic brilliance of his texts, and his bright and unconventional principles gained him readers some distance past the slender circle musicologists. He was once a imperative determine within the musical international of the Weimar Republic. In 1933 he was once pushed aside as intendant of the kingdom Theatre in Wiesbaden because of his Jewish ancestry and emigrated to the united states. He died on 7 March 1937 in New York.
The manuscript of Das deutsche Musikleben dates from the spring of 1916, while Bekker was once together with his regiment in Jeandelize (France). the purpose of the paintings is to check seriously the musical tradition of the day in a time perceived as a quandary of cultural upheaval, and to draft plans for a potential 'target state'.
What makes Bekker's booklet awesome even this day from a cultured standpoint is the theoretical strategy which he develops for his presentation. The booklet might be learn as, within the phrases of Carl Dahlhaus, the description of an 'understanding sociology of music'. This locations Bekker one of the founders of the self-discipline of tune sociology in Germany. The introductory bankruptcy 'Die shape' constitutes the theoretical foundation upon which Bekker for the 1st time constructed an idea of shape in line with the aesthetics of reception.

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