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It was adapted from John Galsworthy’s series of novels about the fortunes of three generations of an upper-class English family. Jim insisted the epilogue be dropped; the production team took their names off the credits and he lost his status as a hero of free speech overnight. They ranged from Thames TV’s cop show The Bill to A Fine Romance (1981-84), the beautifully crafted sitcom he created for LWT (with Bob Larbey) and featuring the star quartet of Judi Dench, Michael Williams, Susan Penhaligon and Richard Warwick. Fortunes of War, for the BBC, was adapted by Alan Plater and shot across the Middle East.In 1983 Jim was elected chairman of Bafta. James Cellan Jones was born on July 13, 1931 in Swansea, Wales as Alan James Gwyn Cellan Jones. One of his sons, Deiniol, died in 2013, and Maggie died in 2016. His name made, Jim followed up with a series based on an adaptation of a Henry James novel, The Portrait of a Lady (1968), and with Anthony Trollope’s The Way We Live Now (1969). • Alan James Gwynne Cellan Jones, television director, born 13 July 1931; died 30 August 2019 After boarding at the Dragon school in Oxford and then Charterhouse, he went to St John’s College, Cambridge, to study natural sciences, with a view to a career in medicine. When James Cellan Jones was asked by the BBC to direct After reading John Galsworthy’s books about the lives of three generations of an upper-class English family straddling the turn of the 20th century, he had dismissed them as “second-rate”. However, political tensions were frequently near the surface, notably in relation to Scum, written by Roy Minton, a film about a juvenile prison deemed so violent, despite adjustments suggested by Jim, that Bill Cotton, the BBC One controller, refused to show it. There he joined the amateur dramatic club and appeared in the Footlights of 1951. It was not, as he recalled, an outstanding performance, but he caught the bug, and when it came to deciding on a career he applied to join the BBC as a call boy, lowliest of the drama department’s ranks. James Cellan Jones was born on July 13, 1931 in Swansea, Wales as Alan James Gwyn Cellan Jones.

All rights reserved. The British Film Institute staged a two-week season of his work at the South Bank in London in 2010, “celebrating the career of one of the UK’s finest television directors”.In 1959 he married Maggie Eavis, a fellow TV technician. Jim had at first thought the books second-rate and unworthy of a series, but afterwards acknowledged that “second-rate novels often make first-rate television”. These were the early years of film, videotape and studio in combination, opening up opportunities for location production, with screen versions of classic novels and plays, often with star names in the lead roles.

In the ensuing public row (which enabled its creative team to raise the money to reshoot it for a successful cinema run in 1979 as “the film the BBC tried to ban”), Jim went public against the BBC’s “disgraceful” decision – and became a hero of the left. James Cellan Jones, born July 13 1931, died August 30 2019 © 2020 Guardian News & Media Limited or its affiliated companies. In the next decade, as his television work declined, his energies turned to teaching and writing, notably his revelatory autobiography, Forsyte and Hindsight (2006). That was the point at which, as the Guardian’s writer about television, I first came to know him well.The politics of Northern Ireland were at the heart of a new row when The Legion Hall Bombing (1978), a drama by Margaret Matheson based on court transcripts about a youth found guilty of planting a bomb, included an epilogue that used the term “freedom fighters” for the IRA. When James Cellan Jones was asked by the BBC to direct The Forsyte Saga, he really didn’t want the job.After reading John Galsworthy’s books about the lives of three generations of an upper-class James Cellan Jones at his home in Kew, London, in 1968. He was married to Margot Eavis. James Cellan Jones, Director: Oxbridge Blues. Photograph: Mirrorpix/Getty Images.

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