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But A sonic ethnography of scientific research environments As suggested by the title, this film is 'a song' of transformational moments of space, identities and belief. The Sensory Ethnography Lab (SEL) at Harvard University is an interdisciplinary center for the making of anthropologically informed works of media that combine aesthetics and ethnography. Inside a cavernous building, a vast machine complex runs like clock-work, sorting a steady stream of glass, metal, paper and plastic carried on conveyor belts criss-crossing the space, dotted with workers in neon vests. Sensory Ethnography Lab Founded by Lucien Castaing-Taylor in 2006, Harvard's Sensory Ethnography Lab promotes innovative combinations of aesthetics and ethnography, especially in film, video, sound, and photography.

Pilgrims make an ancient journey in a state-of-the-art cable car.

A wild orgy, a mass drowning, a dwarf city for rent, a surgical operation that goes tragically awry, a baroque mansion for sale that doubles up as a torture chamber, a de-pressurized Experiment Hall that causes ladies’ fingernail polish to fly off their nails… such were the nocturnal dramas of the world’s most garrulous sleep-talker. Production courses associated with the SEL are offered through Anthropology, Visual and Environmental Studies, and the Graduate School of Design.

Then it gradually becomes an event - an event of struggle.

The sounds of equipment, devices, and activities draw attention to the physical processes underlying scientific research, the work underway which provides a ground for our highly  technologized society. Their practice is one of ecstatic play, of finding the edge of one's balance, and the limits of one's body.Filmed over three years on what will soon be the world's largest railway network, THE IRON MINISTRY traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture.The rapid turning of a light draws a circle. The title refers to the method of recycling in which all types of recyclables are initially gathered together, and sorted later at a specialized facility. It uses analog and digital media, installation, and performance, to explore the aesthetics and ontology of the natural and unnatural world.

The Sensory Ethnography Lab (SEL) is an experimental laboratory that promotes innovative combinations of aesthetics and ethnography. In this way the album is a sonic investigation of the integration of such technology into the Swiss social-geographical landscape. The images were shot on a telephone through a handheld telescope, at once close to and far from its subject, while the audio composition combines empty excerpts from Japanese genbaku and related film soundtracks, audio recordings from seismic laboratories, and location sound.In the very waters where Melville’s Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine.

Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy. An American lyricist who yearned for a career on Broadway, Dion McGregor dreamed out loud while his New York roommate recorded him over seven years in the 1960s.

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